{"id":42266,"date":"2019-01-18T12:57:53","date_gmt":"2019-01-18T20:57:53","guid":{"rendered":"http:\/\/illsocietymag.com\/?p=42266"},"modified":"2019-01-18T14:12:14","modified_gmt":"2019-01-18T22:12:14","slug":"snavs-nxsty-cook-up-some-filthy-bass-in-new-track-flex","status":"publish","type":"post","link":"http:\/\/illsocietymag.com\/?p=42266","title":{"rendered":"Snavs &#038; NXSTY Cook Up Some Filthy Bass In New Track &#8220;Flex&#8221;"},"content":{"rendered":"<p><center><iframe loading=\"lazy\" width=\"600\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/95XEqe8D8GM\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/center><\/p>\n<p>Shifting between dark atmospheric soundscapes and razor sharp trap drops, Snavs and NXSTY cook up a suspenseful <a href=\"http:\/\/illsocietymag.com\/?s=Dim+Mak\">Dim Mak<\/a> debut with &#8220;Flex.&#8221; <a href=\"https:\/\/www.instagram.com\/snavs\/\">Snavs<\/a> is a Copenhagen-based artist who creates forward-thinking, uncompromising production. While his name translates to \u201cdirt\u201d in Danish, Snavs is known for his use of both filthy bass sound design, as well as melodic future bass arrangements. Joining Snavs on &#8220;Flex&#8221; is Vancouver-based producer <a href=\"https:\/\/www.instagram.com\/nxstymusic\/\">NXSTY<\/a>. NXSTY&#8217;s eclectic appreciation of diverse musical genres shines through in his productions, which range from hard bass-fueled music to softer, soulful grooves. <\/p>\n<p>Listen to &#8220;Flex&#8221; above.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shifting between dark atmospheric soundscapes and razor sharp trap drops, Snavs and NXSTY cook up a suspenseful Dim Mak debut with &#8220;Flex.&#8221; Snavs is a Copenhagen-based artist who creates forward-thinking, uncompromising production. While his name translates to \u201cdirt\u201d in Danish, Snavs is known for his use of both filthy bass sound design, as well as [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":42270,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[32,6,76],"tags":[8961,5783,2716,4887,2065,9844,9843,6988],"_links":{"self":[{"href":"http:\/\/illsocietymag.com\/index.php?rest_route=\/wp\/v2\/posts\/42266"}],"collection":[{"href":"http:\/\/illsocietymag.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/illsocietymag.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/illsocietymag.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/illsocietymag.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=42266"}],"version-history":[{"count":5,"href":"http:\/\/illsocietymag.com\/index.php?rest_route=\/wp\/v2\/posts\/42266\/revisions"}],"predecessor-version":[{"id":42278,"href":"http:\/\/illsocietymag.com\/index.php?rest_route=\/wp\/v2\/posts\/42266\/revisions\/42278"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/illsocietymag.com\/index.php?rest_route=\/wp\/v2\/media\/42270"}],"wp:attachment":[{"href":"http:\/\/illsocietymag.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=42266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/illsocietymag.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=42266"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/illsocietymag.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=42266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}