{"id":7868,"date":"2012-10-01T03:19:10","date_gmt":"2012-10-01T03:19:10","guid":{"rendered":"http:\/\/illsocietymag.com\/?p=7868"},"modified":"2014-04-08T22:52:04","modified_gmt":"2014-04-09T05:52:04","slug":"recap-the-gaslamp-killers-breakthrough-record-release-show","status":"publish","type":"post","link":"http:\/\/illsocietymag.com\/?p=7868","title":{"rendered":"Recap: The Gaslamp Killer\u2019s \u201cBreakthrough\u201d Record Release Show"},"content":{"rendered":"<p><center><iframe loading=\"lazy\" width=\"600\" height=\"400\" src=\"http:\/\/www.youtube.com\/embed\/_-emsL8yLM0\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><\/p>\n<p>The Mayan Theater is definitely the type of place you&#8217;d want to be during the winter solstice of 2012. Maybe that&#8217;s just cuz the architecture in the theater resembles the ruins of a temple you might find in the Yucatan of Mexico, really though, I half expected to run into Lara Croft there. Everyone in the house that night knows what I&#8217;m saying, picture Indiana Jones and the Temple of Doom, but instead of Harrison Ford, <strong>the Gaslamp Killer<\/strong> and friends took the spotlight. There were carved sculpture tiles all over the place, and that got me thinking maybe, just maybe, if there is a catastrophic earthquake that rocks the south land at the end of this year, the Mayan Theater might just be the only building left standing on the San Andreas fault line, that is if all of California doesn&#8217;t fall into the ocean from the tremor. But that&#8217;s just superstition right?<\/p>\n<p>One way or another, the Mayan Theater was definitely an ILL spot for <strong>the Gaslamp Killer<\/strong> to host the release party for his new project, <em>Breakthrough<\/em>. The ambiance was surreal, the drinks heavy, and the sound system shook the house like there actually was an earthquake of bass at the multi-tiered venue. And that&#8217;s exactly what the doctor orders when <strong>GLK<\/strong> steps up to operate on the decks like heavy artillery. Even the digital projector work on the screens behind the stage was breathtaking, including visuals from assorted anime classics like Akira.<\/p>\n<p><center><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Venice-Dawn-4.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Venice-Dawn-4.jpg\" alt=\"\" title=\"Venice Dawn-4\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7894\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Venice-Dawn-4.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Venice-Dawn-4-300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/center><\/p>\n<p>ILLsociety arrived at the venue fashionably late, and had unfortunately missed cutting edge sets from the likes of <strong>DJ Nobody<\/strong> and <strong>J.Rocc<\/strong>, but <strong>Venice Dawn<\/strong> was on stage rocking out on some <em>Diamonds Are Forever<\/em> Sean Connery sounding shit as we walked in. You may be familiar with the band&#8217;s frontman, <strong>Adrian Younge<\/strong>, who scored the likes of <em>Black Dynamite<\/em> and is working on the new <strong>Ghostface Killah<\/strong> album alongside the <strong>RZA<\/strong>, entitled <strong>&#8220;12 Reasons To Die.&#8221;<\/strong> Some of the band members looked straight out of Tarantino&#8217;s heist flick <em>Reservoir Dogs<\/em>, wearing black and white suit ensembles, or maybe they looked like the crazy 88 in <em>Kill Bill<\/em>, minus the masks, I dunno, that&#8217;s your call. Of course the drummer had to break dress code, but his snare was so shotgun like, I had to forgive him. Together, <strong>Venice Dawn<\/strong> totally brought 1970-something to 2012. I got the chance to chop it up with <strong>Adrian Younge<\/strong> after <strong>Venice Dawn<\/strong> played an encore and then humbly stepped off stage.<\/p>\n<p><center><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Adrian-Younge.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Adrian-Younge.jpg\" alt=\"\" title=\"Adrian Younge\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7895\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Adrian-Younge.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Adrian-Younge-300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/center><\/p>\n<p><font color=\"#ff0000;\">ISM: How did you transfer from the Black Dynamite Orchestra to Venice Dawn?<\/font><\/p>\n<p><em>Adrian Younge: Well Venice Dawn came before Black Dynamite, so if it wasn&#8217;t for Venice Dawn, I wouldn&#8217;t be able to do Black Dynamite. So I was always doing that kinda like dark italian cinema type music, and to do Black Dynamite, I had to kinda switch it to more of a like American soul blaxploitation type of thing. But now I&#8217;m back to my roots, and that&#8217;s what this is.<\/em><\/p>\n<p><font color=\"#ff0000;\">ISM: I guess you had to put me up on game just a little bit, cuz Black Dynamite is how I became aware of the sounds you were making, and y&#8217;all really impressed me tonight\u2026 Can we expect the 12 Reasons To Die album to sound anything like what we heard from Venice Dawn?<\/font><\/p>\n<p><em>Adrian Younge: The 12 Reasons To Die album is dark as shit. It&#8217;s cinematic and dark and it&#8217;s like if you can imagine watching The Omen, and RZA produced the soundtrack. That&#8217;s what 12 Reasons To Die sounds like.<\/em><\/p>\n<p><font color=\"#ff0000;\">ISM: You&#8217;ve been involved scoring films, do you ever wanna be behind the camera or do you want to stick with the orchestration of music?<\/font><\/p>\n<p><em>Adrian Younge: I do a lot of film stuff, so I&#8217;ll always be behind the camera, you know? But my number one passion is always music. Nothing to me supersedes music. If I had a choice to do anything, I&#8217;m always doing music.<\/em><\/p>\n<p><font color=\"#ff0000;\">ISM: Word, cuz that&#8217;s what I wanna hear, more music from you and your fellow bandmates\u2026 Where can we get new music from Venice Dawn?<\/font><\/p>\n<p><em>Adrian Younge: Our next album, which is Adrian Younge Presents: The Delphonics, will be released on November 20th.<br \/>\n<\/em><br \/>\n<font color=\"#ff0000;\">ISM: wait, wait, wait\u2026 The Delphonics?<\/font><\/p>\n<p><em>Adrian Younge: Yeah, The Delphonics.<\/em><\/p>\n<p><font color=\"#ff0000;\">ISM: You taking it back to 1960-something?<\/font><\/p>\n<p><em>Adrian Younge: Yes, it&#8217;s a very special album to me man, so yeah\u2026 on Wax Poetic Records, November 20th. Man, please stay tuned. To me, I look at it as my deepest work. I really, really love the album, so check it out. <\/em><\/p>\n<p><font color=\"#ff0000;\">ISM: I can&#8217;t wait to hear that.<\/font><\/p>\n<p><em>Adrian Younge: Thank you man.<\/em><\/p>\n<p><center><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Eprom.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Eprom.jpg\" alt=\"\" title=\"Eprom\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7896\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Eprom.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Eprom-300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/center><\/p>\n<p><strong>Eprom<\/strong> took to the theater&#8217;s stage next, dropping an array of plutonium based electronic beats that had the crowd banging their heads like russian roulette. <strong>Flying Lotus<\/strong> made a guest appearance during <strong>Eprom&#8217;s<\/strong> set and then returned after he was finished to unleash his own brand of <a href=\"http:\/\/www.brainfeedersite.com\/\">brainfeeder<\/a> fusion, beginning with his first single off of <em>Until The Quiet Comes<\/em>, <em>&#8220;See Thru to U&#8221;<\/em> with <strong>Erykah Badu<\/strong>. Then he dropped some trap sounding breaks that created a splash as soon as they hit the audience. Things were getting turnt, and in the meanwhile\u2026 I saw <strong>Cut Chemist<\/strong> in the crowd by the bar, and <strong>Nocando<\/strong> too. The talented emcee was there showing love to his Low End brethren. Mad heads had come out to the Mayan Theater that night. <strong>DJ Luman<\/strong> and <strong>Doll Uno<\/strong> were in the house as was <strong>Thavius Beck<\/strong>. I dapped up Chris from <strong>Free the Robots<\/strong> as he was circling around and even saw <strong>DJ House Shoes<\/strong> and <strong>Alexander Spit<\/strong> there showing support.<\/p>\n<p><center><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Gaslamp-Killer-21.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Gaslamp-Killer-21.jpg\" alt=\"\" title=\"Gaslamp Killer-2\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7910\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Gaslamp-Killer-21.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Gaslamp-Killer-21-300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/center><\/p>\n<p>And finally it was time for <strong>the Gaslamp Killer<\/strong> to storm the stage like how the FBI took out David Koresh at Waco, Texas. Or maybe like how Cortez took out Mesoamerica, considering that this was going down at the Mayan Theater\u2026 nah&#8217;mean? It was a headbanger&#8217;s ball for sure, mos def funky enough to make E-40 shake them dreads. <strong>Gaslamp<\/strong> played the cheese grater to your forehead electronic-grunge, space invader 8 bit psych-metal he&#8217;s world famous for, and still found ways to weave that into <strong>Eazy-E<\/strong> and <strong>Wu-Tang<\/strong> drops. The crowd was in a frenzy. The artwork for <strong>GLK&#8217;s<\/strong> new project seemed to live up to its imagery, it was like the wild haired producer had put on a robotic version of <strong>Michael Jackson&#8217;s<\/strong> sequined glove and then moonwalked across the speakerboxxes like a certain messiah had tippy-toed on water<\/p>\n<p>The master Sensei of a producer, <strong>Daedulus<\/strong>, seemed to be the only suitable man for the job of playing music after the whirlwind of <strong>Gaslamp Killer<\/strong> finished painting on our ear drums. He had to fly under the sun, but not close enough to melt his wax wings. He broke us off with some digi-phonic <strong>Roy Ayres<\/strong> samples that kept the night owls in the crowd living their lives in the sunshine and then played a <em>&#8220;Mercy&#8221;<\/em> remix that would leave your chick thirsty enough to joy-ride another man&#8217;s Lambo. <\/p>\n<p>After the new gods of rock made the sound system weep, they left the building without smashing a nann nutter turntable or drum machine into bits like Kurt Cobain may have done with his Fender guitars. And as the crowd thinned out and the die-hards began parking lot pimping in front of the venue, I got the opportunity to ask <strong>the killer of gaslamps<\/strong> one potent question before he had to dash off for photo ops and unknown debauchery.<\/p>\n<p><font color=\"#ff0000;\">ISM: Your record is named Breakthrough\u2026 what are you trying to break through? Like Jim Morrison to the other side? Like where are you trying to break through?<\/font><\/p>\n<p><em>the Gaslamp Killer: I&#8217;m trying to take the samples to the live, reality. I&#8217;m trying to stop sampling, and take the knowledge that I&#8217;ve learned through digging, and create raw new original music from the digging that I&#8217;ve done, instead of looping shit like I used to. That&#8217;s the break through. I&#8217;m trying to make a live record.<br \/>\n<\/em><br \/>\nSo expect big things from <strong>Gaslamp<\/strong> as he gets his new age <strong>Jimi Hendrix<\/strong> on with his upcoming projects in the future. I could see the god dowsing his drum machines in gasoline and laughing as they lit up. A big shout out to the limited edition <strong>hit and run<\/strong> shirts that were silk screened live at the event. The Mayan Theater may not be the ideal place for human sacrifice, being that it is in the heart of downtown Los Angeles, but it was definitely a great place to see <strong>the Gaslamp Killer<\/strong> baptize the world with his new record. Don&#8217;t sleep on Breakthrough, it&#8217;s definitely crinack for the hearing impaired and those blessed enough to hear the music too.<\/p>\n<p>-ya man&#8217;s drop jewelz<\/p>\n<p>All photos and video shot by Sean David<\/p>\n<p><center><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Gaslamp-Killer-1.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Gaslamp-Killer-1.jpg\" alt=\"\" title=\"Gaslamp Killer-1\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7897\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Gaslamp-Killer-1.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Gaslamp-Killer-1-300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Flying-Lotus.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Flying-Lotus.jpg\" alt=\"\" title=\"Flying Lotus\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7901\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Flying-Lotus.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Flying-Lotus-300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-3.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-3.jpg\" alt=\"\" title=\"Crowd-3\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7898\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-3.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-3-300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Venice-Dawn-3.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Venice-Dawn-3.jpg\" alt=\"\" title=\"Venice Dawn-3\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7913\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Venice-Dawn-3.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Venice-Dawn-3-300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-5-2.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-5-2.jpg\" alt=\"\" title=\"Crowd-5 (2)\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7902\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-5-2.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-5-2-300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Venice-Dawn-2-.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Venice-Dawn-2-.jpg\" alt=\"\" title=\"Venice Dawn-2\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7903\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Venice-Dawn-2-.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Venice-Dawn-2--300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-1.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-1.jpg\" alt=\"\" title=\"Crowd-1\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7904\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-1.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-1-300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Flying-Lotus-1.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Flying-Lotus-1.jpg\" alt=\"\" title=\"Flying Lotus-1\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7905\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Flying-Lotus-1.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Flying-Lotus-1-300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-4.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-4.jpg\" alt=\"\" title=\"Crowd-4\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7906\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-4.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Crowd-4-300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Adrian-Younge-2.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Adrian-Younge-2.jpg\" alt=\"\" title=\"Adrian Younge 2\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7907\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Adrian-Younge-2.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Adrian-Younge-2-300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Eprom-x-Gaslamp.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Eprom-x-Gaslamp.jpg\" alt=\"\" title=\"Eprom x Gaslamp\" width=\"625\" height=\"425\" class=\"aligncenter size-full wp-image-7893\" srcset=\"http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Eprom-x-Gaslamp.jpg 625w, http:\/\/illsocietymag.com\/wp-content\/uploads\/2012\/10\/Eprom-x-Gaslamp-300x204.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Mayan Theater is definitely the type of place you&#8217;d want to be during the winter solstice of 2012. Maybe that&#8217;s just cuz the architecture in the theater resembles the ruins of a temple you might find in the Yucatan of Mexico, really though, I half expected to run into Lara Croft there. Everyone in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7911,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[64,79,11,59,51,78],"tags":[659,664,662,330,289,2526,126,661,660,524,663],"_links":{"self":[{"href":"http:\/\/illsocietymag.com\/index.php?rest_route=\/wp\/v2\/posts\/7868"}],"collection":[{"href":"http:\/\/illsocietymag.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/illsocietymag.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/illsocietymag.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/illsocietymag.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7868"}],"version-history":[{"count":11,"href":"http:\/\/illsocietymag.com\/index.php?rest_route=\/wp\/v2\/posts\/7868\/revisions"}],"predecessor-version":[{"id":20710,"href":"http:\/\/illsocietymag.com\/index.php?rest_route=\/wp\/v2\/posts\/7868\/revisions\/20710"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/illsocietymag.com\/index.php?rest_route=\/wp\/v2\/media\/7911"}],"wp:attachment":[{"href":"http:\/\/illsocietymag.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/illsocietymag.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7868"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/illsocietymag.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}